apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Girl with a fan
Girl with a fan by James Tissot

plate no. 5756

Girl with a fan

James Tissot, 1871

oil, panelImpressionismportraitfigureportraithatdressfangarden
experienced study

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and subtle skin tones, as well as rendering complex textures in clothing and accessories.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with loose, blended brushstrokes, capturing the light and shadow of the garden.

  3. step 03

    Block in the main shapes of the figure, including the hat, dress, and fan, using simplified color values.

  4. step 04

    Develop the skin tones, layering subtle variations of color to create a realistic and luminous effect.

  5. step 05

    Refine the details of the clothing, paying attention to the folds, textures, and patterns.

  6. step 06

    Add the details of the face, including the eyes, nose, and mouth, capturing the likeness and expression of the subject.

  7. step 07

    Adjust the overall composition, refining the values and colors to create a harmonious and balanced image.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber · viridian

Mix skin tones by blending white, yellow ochre, and cadmium red, with small amounts of umber and blue for shadows. Achieve the blues in the hat and dress by mixing ultramarine with white and a touch of black.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle variations in color and value, leading to a muddy or unrealistic effect.
  • →Getting lost in the details of the clothing and accessories, neglecting the overall composition.
  • →Inaccurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, titanium white, cadmium red light, yellow ochre, ultramarine blue, burnt umber, viridian)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted round and flat brushes
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann