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home·artworks·Girl Selling Ducks
Girl Selling Ducks by Theodor Leopold Weller

plate no. 3323

Girl Selling Ducks

Theodor Leopold Weller, 1835

oil, canvasRomanticismgenre paintingfigurelandscapeducksskytreesbasket
some experience helpful

Recreating this painting will help students develop skills in portraiture, blending techniques for smooth skin tones, and rendering realistic fabrics and textures. It also offers practice in creating atmospheric perspective in the background landscape.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on proportions and placement of the figure and landscape elements.

  2. step 02

    Block in the main color areas for the sky, landscape, figure's clothing, and ducks.

  3. step 03

    Begin refining the sky with subtle gradations of color, paying attention to the cloud formations.

  4. step 04

    Work on the background landscape, establishing depth through atmospheric perspective.

  5. step 05

    Develop the figure's face, carefully blending colors to create smooth skin tones and capturing the likeness.

  6. step 06

    Add details to the clothing, paying attention to folds, highlights, and shadows.

  7. step 07

    Render the ducks and basket, focusing on textures and details.

  8. step 08

    Add final details and highlights to the entire painting, adjusting values and colors as needed.

color palette

primary · titanium white · ultramarine blue · burnt sienna · cadmium red

secondary · yellow ochre · viridian green · ivory black

Mix various shades of blue and white for the sky. Use burnt sienna and ultramarine blue for the darker tones in the landscape. Mix cadmium red and burnt sienna for the figure's skirt and scarf. Use yellow ochre and viridian green for the foliage.

techniques

  • ·blending
  • ·glazing
  • ·atmospheric perspective
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Failing to create a sense of depth in the landscape.
  • →Making the colors too saturated and unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

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