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home·artworks·Girl in front of the Lion Cage
Girl in front of the Lion Cage by Max Slevogt

plate no. 0798

Girl in front of the Lion Cage

Max Slevogt, 1901

oilImpressionismgenre paintingfiguretreesfencecageparkarchitecture
some experience helpful

Recreating this painting will help students practice loose brushwork and capturing light and shadow with simplified forms. It's also a good exercise in depicting depth and atmosphere using color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, the fence, the trees, and the ground plane.

  2. step 02

    Block in the large areas of color using thin washes.

  3. step 03

    Start with the background, establishing the values of the trees and sky.

  4. step 04

    Move to the midground, painting the fence and the area behind the figure.

  5. step 05

    Add the figure, focusing on the shapes of the skirt and hat.

  6. step 06

    Refine the details with thicker paint and visible brushstrokes.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · titanium white · ivory black · cadmium red light · yellow ochre

secondary · viridian green · ultramarine blue

Mix various shades of gray by combining white and black, and add small amounts of yellow ochre or red to warm the grays. Achieve the green tones by mixing blue and yellow, and adjust with white or black to create different values.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early.
  • →Failing to establish a clear value structure.
  • →Not paying attention to color temperature and atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-grain canvas for a slightly textured surface. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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