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home·artworks·Girl in Blue Arranging Flowers
Girl in Blue Arranging Flowers by Frederick Carl Frieseke

plate no. 6740

Girl in Blue Arranging Flowers

Frederick Carl Frieseke, 1915

oilImpressionismgenre paintingfigureflowersmirrorstill lifeinteriordress
some experience helpful

Recreating this painting will help students develop skills in depicting reflections and capturing the impressionistic style through loose brushwork and color mixing. It also provides practice in rendering fabric and floral arrangements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, mirror, and still life elements.

  2. step 02

    Establish the background with broad, loose strokes, paying attention to the light and shadow.

  3. step 03

    Block in the main colors of the figure's dress and skin tones, using a limited palette.

  4. step 04

    Begin layering colors and adding details to the flowers, focusing on capturing their texture and form.

  5. step 05

    Refine the reflections in the mirror, paying attention to the subtle shifts in color and value.

  6. step 06

    Add details to the still life elements, such as the plate and pitcher.

  7. step 07

    Adjust the overall composition and refine the brushwork to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · alizarin crimson · viridian green

Mix various shades of blue by combining ultramarine blue and titanium white. Create muted greens by mixing viridian green with yellow ochre and a touch of alizarin crimson. Use alizarin crimson and yellow ochre to create the pinks and oranges in the flowers.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·impasto
  • ·glazing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle shifts in color and value in the reflections.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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