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home·artworks·Girl Crotcheting
Girl Crotcheting by Edmund Charles Tarbell

plate no. 4902

Girl Crotcheting

Edmund Charles Tarbell, 1904

oil, canvasImpressionismgenre paintingfigureinteriortablechairpaintingwindow
some experience helpful

Recreating this painting will help students develop skills in capturing subtle light and shadow variations and creating a sense of atmosphere through color mixing and blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, table, chair, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin to refine the figure, focusing on the light hitting her face and clothing.

  4. step 04

    Develop the background details, paying attention to the subtle color variations in the wall and the paintings.

  5. step 05

    Add details to the table and chair, capturing the textures and reflections.

  6. step 06

    Refine the edges and blend the colors to create a soft, atmospheric effect.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of harmony.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use raw umber and ivory black to create a range of grays and browns.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and creating a jarring effect.
  • →Failing to capture the subtle light and shadow variations.
  • →Ignoring the importance of edges and creating a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·burnt sienna oil paint

Use high-quality oil paints for best results. A pre-primed canvas is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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