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Girl by a Window by Wilhelm Leibl

plate no. 7973

Girl by a Window

Wilhelm Leibl, 1899

oil, canvasImpressionismportraitportraitfigurewindowdressinteriorflowers
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating soft, diffused lighting effects. It also provides practice in blending and layering paint to achieve subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and window on the canvas.

  2. step 02

    Block in the main areas of color: skin tones, dress, background, and window.

  3. step 03

    Begin refining the skin tones, paying attention to the subtle shifts in value and color.

  4. step 04

    Develop the details of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Work on the clothing, capturing the folds and drapery with loose brushstrokes.

  6. step 06

    Add details to the window and background, maintaining a soft, diffused quality.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · cadmium red light · ultramarine blue

Mix skin tones by combining white, umber, and a touch of red. Use ultramarine blue to darken shadows and create cool tones.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·dry brush
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the soft, impressionistic feel.
  • →Failing to capture the subtle tonal variations in the skin tones.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Not paying attention to proportions and likeness.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (raw umber, titanium white, burnt sienna, cadmium red light, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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