apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Getting Ready for a Game
Getting Ready for a Game by Carl Larsson

plate no. 2202

Getting Ready for a Game

Carl Larsson, 1901

oilArt Nouveau (Modern)interiorinteriorfigurestablestill lifecabinetlamp
some experience helpful

Recreating this painting will help students develop skills in depicting complex interior spaces and rendering the effects of warm, artificial light. It also provides practice in painting various textures and details of everyday objects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the table, figures, and major furniture elements.

  2. step 02

    Establish the overall warm color tone of the room with a thin wash of yellow ochre and burnt sienna.

  3. step 03

    Block in the main color areas: red cabinet, green walls, and the white tablecloth.

  4. step 04

    Start defining the light source (the lamp) and its effect on the surrounding objects.

  5. step 05

    Add details to the still life on the table, paying attention to the shapes and colors of the objects.

  6. step 06

    Refine the figures, focusing on their poses and expressions.

  7. step 07

    Add final details, such as the patterns on the plates and the texture of the walls.

  8. step 08

    Adjust the values and colors to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · burnt sienna · titanium white · cadmium red

secondary · viridian green · ultramarine blue · raw umber

Achieve the warm, glowing light by mixing yellow ochre and white, with touches of cadmium red. Use viridian green and raw umber to create the muted greens of the walls. Mix ultramarine blue with burnt sienna for the darker shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·rendering light and shadow

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong light source.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grain canvas for best results. Acrylics are more beginner-friendly, while oils offer richer colors and blending capabilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois