apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Geraldine Chaplin
Geraldine Chaplin by Abdul Mati Klarwein

plate no. 3660

Geraldine Chaplin

Abdul Mati Klarwein, 1955

oilMagic Realismportraitportraitfigurefaceshoulderwindowclothing
some experience helpful

Recreating this painting will help students understand value relationships and how to build form using visible brushstrokes. It also provides practice in capturing likeness and creating a sense of depth with limited color.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the darkest areas of the background and clothing with a thin wash of dark gray.

  3. step 03

    Begin building up the mid-tones on the face and body, paying attention to the light source.

  4. step 04

    Use short, directional brushstrokes to define the planes of the face and create texture.

  5. step 05

    Gradually add highlights to the face, shoulders, and clothing, using lighter shades of gray.

  6. step 06

    Refine the details of the eyes, nose, and mouth, using small brushes.

  7. step 07

    Add final touches to the background and clothing, ensuring they recede behind the figure.

  8. step 08

    Step back and assess the overall balance of values and make any necessary adjustments.

color palette

primary · ivory black · titanium white

secondary · payne's gray · raw umber

Mix different ratios of black and white to achieve a full range of grays. Use Payne's Gray or Raw Umber to add subtle warmth or coolness to the grays.

techniques

  • ·dry brushing
  • ·scumbling
  • ·value studies
  • ·directional strokes
  • ·chiaroscuro

common pitfalls

  • →Over-blending, which can flatten the image.
  • →Ignoring the underlying structure of the face.
  • →Failing to create enough contrast between light and shadow.
  • →Getting lost in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A toned canvas (light gray) can be helpful to start with.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Birth of the Earth

Birth of the Earth

Nina Tokhtaman Valetova

Soundscape

Soundscape

Abdul Mati Klarwein

Le poisson choa

Le poisson choa

Nicolae Maniu

Indian Summer

Indian Summer

Abdul Mati Klarwein

Hidden Pasture

Hidden Pasture

Eyvind Earle

Pacific

Pacific

Alex Colville

Poet With Flower

Poet With Flower

Stefan Caltia

Canzone

Canzone

Antonio Donghi