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home·artworks·Georgiana Burne Jones, their children Margaret and Philip in the background
Georgiana Burne Jones, their children Margaret and Philip in the background by Edward Burne-Jones

plate no. 1431

Georgiana Burne Jones, their children Margaret and Philip in the background

Edward Burne-Jones, 1883

oil, canvasRomanticismportraitportraitfigureinteriorchildrenpaintingbook
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and creating depth through atmospheric perspective. Students will also learn to depict complex folds in fabric and create a sense of realism through careful observation of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and composition.

  2. step 02

    Establish the background colors and values, focusing on the warm tones of the interior.

  3. step 03

    Block in the main shapes of the figures, paying attention to proportions and gesture.

  4. step 04

    Begin layering skin tones, using thin glazes to build up depth and luminosity.

  5. step 05

    Develop the details of the clothing, focusing on the folds and textures of the fabric.

  6. step 06

    Paint the book and other details, paying attention to their form and color.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to create a sense of realism.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red light · yellow ochre

Mix skin tones by blending white, red, yellow ochre, and a touch of blue. Achieve the dark tones of the dress by mixing black with burnt umber and a touch of blue. Use thin glazes of burnt sienna and raw umber to create the warm tones of the background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions in the figures.
  • →Overly harsh or flat skin tones.
  • →Lack of depth and atmosphere in the background.
  • →Ignoring subtle color variations in the shadows.
  • →Getting lost in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, raw umber, burnt sienna, titanium white, ultramarine blue, cadmium red light, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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