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George Washington by Thomas Sully

plate no. 4251

George Washington

Thomas Sully

oilRomanticismportraitportraitfiguremanclothinghistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It also provides practice in creating soft, blended transitions and depicting clothing folds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the background color with a thin, even wash.

  3. step 03

    Block in the main areas of light and shadow on the face, hair, and clothing using simplified color mixtures.

  4. step 04

    Refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the skin tones by layering and blending subtle color variations.

  6. step 06

    Add details to the hair, suggesting individual strands with delicate brushstrokes.

  7. step 07

    Define the folds and highlights in the clothing, creating a sense of volume and form.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre

Skin tones are achieved by mixing white, red, and a touch of umber. The background is primarily umber with subtle variations. The dark clothing is a mix of umber and blue.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Creating harsh or abrupt transitions between values.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (raw umber, titanium white, cadmium red light, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.

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