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home·artworks·George Washington after his appointment as commander in chief of the Continental Army
George Washington after his appointment as commander in chief of the Continental Army by Currier and Ives

plate no. 1698

George Washington after his appointment as commander in chief of the Continental Army

Currier and Ives, 1876

oilRomanticismhistory paintingfiguresinteriorhistorical eventclothingtablechairs
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and rendering fabrics and textures with subtle color variations. It will also improve their understanding of atmospheric perspective and how to create depth in a complex scene.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Refine the details of the figures, paying attention to facial features, clothing folds, and hands.

  4. step 04

    Add the details of the interior, including the tables, chairs, and background figures.

  5. step 05

    Develop the lighting and shadows to create depth and dimension.

  6. step 06

    Refine the color palette, adding subtle variations and highlights.

  7. step 07

    Add final details and adjust values as needed.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · Prussian blue · Crimson · Yellow Ochre · Titanium White

secondary · Burnt Umber · Sap Green · Payne's Gray

Mix various shades of blue and gray for the clothing and background. Use yellow ochre and burnt umber to create warm tones for the skin and furniture. Mix white with primary colors to create lighter tints.

techniques

  • ·Figure drawing
  • ·Color mixing
  • ·Glazing
  • ·Rendering fabrics
  • ·Atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth and dimension
  • →Ignoring the value structure
  • →Getting lost in the details too early

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (Prussian blue, Crimson, Yellow Ochre, Titanium White, Burnt Umber, Sap Green, Payne's Gray)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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