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home·artworks·George Sandford, MA, Archdeacon of Doncaster
George Sandford, MA, Archdeacon of Doncaster by Richard Jack

plate no. 3118

George Sandford, MA, Archdeacon of Doncaster

Richard Jack

oilImpressionismportraitportraitfiguremanclothingchairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. Students will also practice blending and layering techniques to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the background with a dark, textured wash.

  3. step 03

    Block in the main areas of color for the skin, clothing, and chair.

  4. step 04

    Begin layering and blending colors to create form and depth in the face.

  5. step 05

    Refine the details of the clothing, paying attention to folds and highlights.

  6. step 06

    Add details to the hands and facial features.

  7. step 07

    Adjust the values and colors throughout the painting to achieve a harmonious balance.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · ultramarine blue · ivory black · titanium white · burnt umber

secondary · yellow ochre · cadmium red light · raw sienna

Mix skin tones using white, yellow ochre, a touch of red, and a small amount of blue or umber for shadows. Create the dark blue of the clothing by mixing ultramarine blue and black.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value studies
  • ·color mixing

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to accurately capture the proportions of the face.
  • →Ignoring the subtle variations in color and value.
  • →Creating too much contrast too early in the painting process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·painting easel
  • ·rags
  • ·photograph of subject

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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