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home·artworks·George Paul Chalmers, Artist
George Paul Chalmers, Artist by John Pettie

plate no. 7332

George Paul Chalmers, Artist

John Pettie, 1862

oilRomanticismportraitportraitmanfigureclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portrait painting, including capturing likeness and creating depth through subtle value changes. It also provides practice in rendering textures like hair and fabric with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the skin tones, hair, and clothing.

  4. step 04

    Refine the facial features, paying attention to the subtle shifts in value and color.

  5. step 05

    Add details to the hair and clothing, using visible brushstrokes to create texture.

  6. step 06

    Adjust the background to create depth and contrast.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of light.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and realistic representation.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · ultramarine blue

Mix skin tones by blending raw sienna, burnt umber, and titanium white. Use small amounts of cadmium red for warmth and ultramarine blue for cool shadows. Darken colors with ivory black.

techniques

  • ·portrait painting
  • ·scumbling
  • ·dry brush texture
  • ·value study
  • ·blending

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details before establishing the overall value structure.
  • →Using too much paint and losing the subtle value changes.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·cadmium red light
  • ·ultramarine blue

Use a canvas with a smooth texture to allow for subtle blending. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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