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home·artworks·Genesee Scenery
Genesee Scenery by Thomas Cole

plate no. 4680

Genesee Scenery

Thomas Cole, 1847

oil, canvasRomanticismlandscapewaterfallcliffstreesskymountainsbuilding
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth and realism in a landscape. Students will also practice rendering textures of rocks, foliage, and water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, cliffs, and distant mountains.

  2. step 02

    Establish the sky with broad strokes, blending blues and whites to create cloud formations.

  3. step 03

    Block in the dark areas of the cliffs and foreground foliage with dark browns and greens.

  4. step 04

    Begin layering lighter tones on the cliffs to create highlights and texture.

  5. step 05

    Paint the waterfall using white and light blue, capturing the movement and flow of the water.

  6. step 06

    Add details to the trees and foliage, varying the greens and using small brushstrokes to create texture.

  7. step 07

    Refine the details of the buildings and figures, paying attention to their scale and placement.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · sap green · cadmium yellow · alizarin crimson

Mix greens by combining blues and yellows, and create earth tones by mixing browns, yellows, and reds. Use white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall composition.
  • →Using too much detail in the distant areas, which flattens the perspective.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a painting medium to improve the flow and blending of the oil paints.

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