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home·artworks·General Washington at Christ Church, Easter Sunday, 1795
General Washington at Christ Church, Easter Sunday, 1795 by Jean Leon Gerome Ferris

plate no. 2116

General Washington at Christ Church, Easter Sunday, 1795

Jean Leon Gerome Ferris, 1908

oilRomanticismhistory paintingfigureschurchcarriagehorsestreeshistorical scene
experienced study

Recreating this painting will help students develop skills in figure painting, rendering complex architectural forms, and creating atmospheric perspective. It also provides practice in managing a complex composition with multiple focal points.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key elements like the church, figures, and carriage.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the sky, trees, and church building.

  3. step 03

    Establish the basic values and colors of the figures, paying attention to their relative sizes and positions.

  4. step 04

    Add details to the carriage and horses, including the wheels, harnesses, and textures of the horses' coats.

  5. step 05

    Refine the details of the figures' clothing and faces, adding highlights and shadows to create depth and form.

  6. step 06

    Work on the foreground elements, including the children and the ground, adding texture and details.

  7. step 07

    Adjust the overall values and colors to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burnt umber · yellow ochre · ivory black · titanium white

secondary · cadmium red · ultramarine blue · sap green · raw sienna

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use glazes of thinned color to create depth and subtle color variations.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Getting lost in the details too early
  • →Incorrect proportions of figures and architecture
  • →Overly saturated colors
  • →Lack of depth and atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a toned canvas to establish a base color.

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