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home·artworks·General Jackson after the Battle of New Orleans
General Jackson after the Battle of New Orleans by Thomas Sully

plate no. 8555

General Jackson after the Battle of New Orleans

Thomas Sully, 1870

oilRomanticismportraitportraitfiguremilitaryclothingcannonpaper
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding atmospheric perspective and creating depth through value and color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and cannon.

  2. step 02

    Establish the background with broad, blended strokes, creating a sense of atmosphere and depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to the fall of light and shadow.

  4. step 04

    Refine the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the details of the clothing, adding folds and textures with visible brushstrokes.

  6. step 06

    Render the cannon with attention to its form and texture, using darker values to create depth.

  7. step 07

    Add highlights to the figure and cannon to create a sense of light and form.

  8. step 08

    Make final adjustments to values and colors to unify the painting and enhance the overall mood.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre and a touch of umber. Dark clothing is achieved by mixing black, umber and a touch of blue. Background is achieved by mixing umber, sienna, and white.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·scumbling
  • ·glazing
  • ·blending

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a strong sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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