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home·artworks·Gathering Summer Flowers in a Devonshire Garden
Gathering Summer Flowers in a Devonshire Garden by John William Waterhouse

plate no. 6592

Gathering Summer Flowers in a Devonshire Garden

John William Waterhouse, 1893

oil, canvasRomanticismgenre paintingfiguregardenflowersbuildingpathfence
some experience helpful

Recreating this painting will help students develop skills in rendering light and shadow on textured surfaces, as well as capturing the delicate details of floral elements. It also provides practice in depicting a figure within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the figure, buildings, and major landscape elements.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the large areas of color, starting with the buildings and then moving to the landscape.

  4. step 04

    Begin to refine the details of the figure, paying attention to the folds and drapery of the dress.

  5. step 05

    Add details to the flowers and foliage, using a variety of brushstrokes to create texture.

  6. step 06

    Refine the details of the buildings, including the windows and architectural features.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers to adjust color and value as needed.

color palette

primary · titanium white · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix various shades of white with touches of raw umber and yellow ochre to create the off-white tones of the buildings and dress. Use a combination of cadmium red and alizarin crimson for the flowers, and ultramarine blue and yellow ochre for the greens.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-textured canvas will provide a good surface for capturing the brushwork.

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