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home·artworks·Gathering Storm, High Seas
Gathering Storm, High Seas by Guy Rose

plate no. 3002

Gathering Storm, High Seas

Guy Rose

oil, canvasImpressionismlandscapemountainscloudslakelandscapetreesvegetation
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and layering brushstrokes to create texture and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, hills, and lake, establishing the horizon line.

  2. step 02

    Apply a thin wash of diluted color to establish the overall color scheme and value ranges.

  3. step 03

    Begin layering thicker paint to define the shapes of the mountains and clouds, focusing on light and shadow.

  4. step 04

    Add details to the foreground, including the trees, bushes, and reflections in the water.

  5. step 05

    Refine the colors and values throughout the painting, paying attention to the atmospheric perspective.

  6. step 06

    Use short, broken brushstrokes to create texture and visual interest.

  7. step 07

    Add final highlights and details to the mountains and foreground.

  8. step 08

    Let the painting dry and then add a final layer of varnish for protection and to enhance the colors.

color palette

primary · ultramarine blue · yellow ochre · titanium white · alizarin crimson

secondary · viridian green · burnt sienna · purple

Mix blues and whites for the sky and distant mountains, yellows and browns for the hills, and greens and blues for the foreground vegetation. Use alizarin crimson and ultramarine blue for the purples in the shadows.

techniques

  • ·broken color
  • ·impasto
  • ·atmospheric perspective
  • ·color layering
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of value contrast.
  • →Failing to create a sense of depth and distance.
  • →Applying paint too thickly too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, yellow ochre, titanium white, alizarin crimson, viridian green, burnt sienna)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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