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home·artworks·Gathering Plums
Gathering Plums by Henry Herbert La Thangue

plate no. 0163

Gathering Plums

Henry Herbert La Thangue, 1901

oil, canvasImpressionismgenre paintingfigureslandscapetreesbasketsfruitfoliage
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and understanding the effects of light and shadow on form. It also provides practice in rendering textures like foliage and woven baskets.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and baskets.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Block in the local colors of the figures, baskets, and foliage.

  4. step 04

    Develop the forms of the figures, paying attention to anatomy and drapery.

  5. step 05

    Add details to the baskets, rendering the woven texture.

  6. step 06

    Refine the foliage, using broken brushstrokes to create a sense of depth and texture.

  7. step 07

    Adjust the values and colors to create a sense of atmosphere and unity.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · raw umber · titanium white · viridian

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Mix greens by combining viridian with yellow ochre or cadmium yellow light. Use raw umber and burnt sienna to create warm browns for the baskets and shadows. Add titanium white to lighten colors and create highlights.

techniques

  • ·broken brushstrokes
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to establish a clear sense of light and shadow.
  • →Using colors that are too saturated or intense.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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