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home·artworks·Gare de Lest
Gare de Lest by Antoine Blanchard

plate no. 6454

Gare de Lest

Antoine Blanchard

oilImpressionismcityscapecityscapebuildingsfiguresstreetskytrees
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and using loose brushstrokes to suggest detail rather than rendering it precisely. Students will also learn to mix subtle color variations to create a sense of depth and light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, train station, and figures, focusing on proportions and placement.

  2. step 02

    Establish the sky with broad strokes of gray and blue, creating a sense of atmosphere.

  3. step 03

    Block in the main areas of color for the buildings, using a limited palette of warm and cool tones.

  4. step 04

    Add the darker values to define the shadows and architectural details.

  5. step 05

    Paint the figures with quick, gestural strokes, suggesting their forms without over-defining them.

  6. step 06

    Create the reflections on the wet street using horizontal strokes and varying the values.

  7. step 07

    Add details like the tree branches and street lamps, using a fine brush.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a cohesive and atmospheric scene.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · ivory black

Mix grays by combining ultramarine blue, burnt umber, and titanium white. Use yellow ochre and cadmium yellow to create warm highlights. Add a touch of alizarin crimson to create richer browns and reds.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value structure.
  • →Not capturing the sense of light and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for texture and brushstroke visibility. Consider using a toned canvas to create a more unified base.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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