apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Garden of the house of Fortuny
Garden of the house of Fortuny by Marià Fortuny

plate no. 4182

Garden of the house of Fortuny

Marià Fortuny

oilRomanticismgenre paintinggardentreesfiguredogwallfoliage
some experience helpful

Recreating this painting will help students develop skills in depicting textures with visible brushstrokes and understanding atmospheric perspective to create depth. It also provides practice in capturing the subtle color variations in natural light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, wall, figure, and dog.

  2. step 02

    Establish the sky and the general color of the wall with thin washes.

  3. step 03

    Block in the main shapes of the trees and foliage, using darker greens and browns for shadows.

  4. step 04

    Begin adding details to the trees and foliage, using short, broken brushstrokes to create texture.

  5. step 05

    Paint the figure, paying attention to the folds and shadows in the dress and the color of the umbrella.

  6. step 06

    Add the dog, using a similar technique of short, broken brushstrokes to create fur texture.

  7. step 07

    Paint the foreground, focusing on the texture and color variations of the gravel.

  8. step 08

    Add final details and highlights to the entire painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Mix greens by combining ultramarine blue and yellow ochre, and adjust the tone with white or burnt umber. Achieve the warm tones of the gravel by mixing yellow ochre, burnt umber, and white.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating flat, lifeless colors instead of capturing the subtle variations in light and shadow.
  • →Failing to establish a strong sense of depth and perspective.
  • →Getting lost in details too early, before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke