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home·artworks·Garden in Terracina
Garden in Terracina by Ernst Meyer

plate no. 6124

Garden in Terracina

Ernst Meyer

oil, paperRomanticismlandscapegardenpathtreesfoliagebuildingssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in mixing greens and browns to represent natural elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the path and the tunnel of trees.

  2. step 02

    Establish the dark and light areas with thin washes of brown and green.

  3. step 03

    Block in the sky and buildings in the background.

  4. step 04

    Begin layering the foliage, starting with the darkest greens and adding highlights.

  5. step 05

    Add details to the path and foreground plants.

  6. step 06

    Refine the shapes and values of the trees and foliage to create depth.

  7. step 07

    Add final highlights and details to the buildings and sky.

  8. step 08

    Glaze with thin layers to unify the painting.

color palette

primary · viridian green · burnt umber · titanium white

secondary · yellow ochre · cadmium red · ultramarine blue

Mix greens by combining viridian green with yellow ochre or burnt umber. Create browns by mixing burnt umber with ultramarine blue and a touch of cadmium red. Achieve lighter values by adding titanium white.

techniques

  • ·layering
  • ·glazing
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details in the foreground.
  • →Failing to create a sense of depth with atmospheric perspective.
  • →Using too much green without variation.
  • →Losing the initial sketch and composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (viridian green, burnt umber, titanium white, yellow ochre, cadmium red, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Using a toned canvas (e.g., with a thin wash of burnt umber) can help establish the dark values and create a more unified painting.

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related guides

oil painting for beginners →how to learn by studying the masters →
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