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home·artworks·Galilee, looking from near the mouth of the Jordan towards the Mount of Beatitudes and Tabor
Galilee, looking from near the mouth of the Jordan towards the Mount of Beatitudes and Tabor by Elizabeth Thompson

plate no. 4895

Galilee, looking from near the mouth of the Jordan towards the Mount of Beatitudes and Tabor

Elizabeth Thompson

oilRomanticismlandscapelakemountainsfoliageskyrockspath
suitable for beginners

This painting is great for learning how to layer watercolor washes to create depth and how to suggest detail rather than rendering every leaf or rock. It also provides practice in creating a sense of atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
2
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line, the outline of the mountains, and the basic shapes of the foliage and rocks.

  2. step 02

    Apply a very light wash of blue for the sky, allowing it to fade towards the horizon.

  3. step 03

    Paint the distant mountains with a diluted mix of blue and brown, making them lighter than the foreground elements.

  4. step 04

    Begin layering washes of green, brown, and red for the foliage, varying the colors and values to create texture.

  5. step 05

    Add darker values to the rocks and shadows to create depth and dimension.

  6. step 06

    Paint the water with horizontal washes of blue and gray, reflecting the sky and mountains.

  7. step 07

    Add subtle details to the foliage and rocks with a smaller brush, using dry brush techniques for texture.

  8. step 08

    Evaluate and adjust values and colors as needed to create a cohesive and atmospheric landscape.

color palette

primary · cerulean blue · raw umber · alizarin crimson

secondary · sap green · yellow ochre

Mix blues and browns to create the mountain and water tones. Use varying amounts of water to control the value of the colors. Mix reds and browns for the rocks and foliage.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →Using too much water and losing control of the washes
  • →Making the colors too saturated
  • →Ignoring the importance of value contrast

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

oil painting for beginners →how to learn by studying the masters →
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