plate no. 1088

Full Cry

oilRomanticismanimal paintinghorsesdogsfigureslandscapetreessky

experienced study

Recreating this painting will help students develop skills in depicting movement and rendering complex forms with loose brushwork. It also provides practice in creating atmospheric perspective and capturing the energy of a dynamic scene.

technical profile

palette complexity

brushwork visibility

value contrast

compositional simplicity

study guide

est. 15 hrs

approach — 8 steps

step 01
Begin with a light sketch to establish the overall composition and placement of the major elements (horses, dogs, figures, trees).
step 02
Block in the sky and distant landscape with broad washes of color, focusing on the atmospheric perspective.
step 03
Establish the basic shapes and values of the horses and riders, paying attention to their anatomy and proportions.
step 04
Add the dogs, simplifying their forms and focusing on their movement and interaction with each other.
step 05
Develop the foreground landscape, adding details such as grass, foliage, and small streams.
step 06
Refine the details of the horses, riders, and dogs, adding highlights and shadows to create depth and form.
step 07
Use broken brushstrokes to create texture and visual interest in the landscape and foliage.
step 08
Add final touches and adjustments to the overall composition, ensuring a sense of unity and harmony.

color palette

primary · burnt umber · ultramarine blue · cadmium red · titanium white

secondary · yellow ochre · raw sienna · ivory black

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and white. Achieve the red coats by mixing cadmium red with a touch of burnt umber and white. Create atmospheric blues by diluting ultramarine blue with white.

techniques

·dry brush texture
·broken color
·atmospheric perspective
·scumbling
·alla prima

common pitfalls

→Overworking the details and losing the sense of spontaneity.
→Failing to establish a clear focal point.
→Ignoring the principles of atmospheric perspective.
→Getting bogged down in the anatomy of the animals and losing the overall impression of movement.
→Using colors that are too saturated and unnatural.

materials

surface · stretched canvas

required

·stretched canvas
·oil paints
·turpentine or odorless mineral spirits
·linseed oil
·palette
·assorted brushes (round and flat)
·palette knife

optional

·medium gloss
·painting easel
·rags or paper towels
·photo reference

Use a medium-sized canvas (e.g., 16x20 inches) to allow for sufficient detail without being overwhelming. A variety of brush sizes will be helpful for rendering both broad areas and fine details.

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