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home·artworks·Fuji from the Canal, Iwabuchi
Fuji from the Canal, Iwabuchi by Lilla Cabot Perry

plate no. 1572

Fuji from the Canal, Iwabuchi

Lilla Cabot Perry, 1901

oilImpressionismlandscapemountainwatercanalflowerslandscapeboat
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and practice layering brushstrokes to create texture and depth. It also provides practice in capturing reflections in water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition: mountain, canal, and foreground elements.

  2. step 02

    Block in the sky with a light yellow-white mix.

  3. step 03

    Establish the mountain's form with light purples and blues, varying the tones to suggest depth.

  4. step 04

    Paint the distant hills with muted purples and greens.

  5. step 05

    Define the canal with a base of light grey-blue, adding darker reflections.

  6. step 06

    Build up the foliage on the banks with layers of greens, yellows, and browns.

  7. step 07

    Add the yellow flowers in the foreground, paying attention to their placement and form.

  8. step 08

    Refine details and adjust values to create a sense of atmosphere.

color palette

primary · titanium white · yellow ochre · ultramarine blue · alizarin crimson

secondary · burnt umber · sap green · cadmium yellow light

Mix white with small amounts of yellow ochre and alizarin crimson for the sky. Create purples by mixing alizarin crimson and ultramarine blue, adjusting the ratio for different shades of the mountain. Greens are achieved by mixing ultramarine blue and cadmium yellow light.

techniques

  • ·broken color
  • ·layering
  • ·wet-on-dry
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a clear value structure.
  • →Ignoring the subtle color variations in the mountain.
  • →Making the foreground too detailed and distracting from the overall scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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