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home·artworks·Fuente De Isabel Ii En La Calle De La Montera
Fuente De Isabel Ii En La Calle De La Montera by Jenaro Pérez Villaamil

plate no. 3310

Fuente De Isabel Ii En La Calle De La Montera

Jenaro Pérez Villaamil, 1835

oilRomanticismcityscapefountainbuildingsfigurescityscapeskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of a scene with loose, expressive brushstrokes. It also provides practice in depicting figures in a crowd and rendering architectural details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and placement of the fountain, buildings, and figures.

  2. step 02

    Block in the main shapes with thin washes of color, focusing on the overall value structure.

  3. step 03

    Gradually build up the details, starting with the background and working towards the foreground.

  4. step 04

    Use thicker paint and more visible brushstrokes to add texture and interest to the fountain and figures.

  5. step 05

    Pay attention to the light and shadow, and use them to create depth and dimension.

  6. step 06

    Add highlights to the water and architectural details to create a sense of sparkle and realism.

  7. step 07

    Refine the details of the figures, paying attention to their gestures and clothing.

  8. step 08

    Add final touches and adjustments to create a cohesive and harmonious painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use thin washes for the sky and distant buildings, and thicker paint for the foreground elements.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·broken color

common pitfalls

  • →Overworking the details and losing the spontaneity of the original painting.
  • →Creating too much contrast and making the painting look harsh.
  • →Failing to establish a clear focal point.
  • →Inaccurate proportions of the figures and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for texture. Consider toning the canvas with a thin wash of raw umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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