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home·artworks·From the Upper Terrace
From the Upper Terrace by John Henry Twachtman

plate no. 8707

From the Upper Terrace

John Henry Twachtman, 1897

oil, canvasImpressionismlandscapelandscapebuildingstreespathfieldfoliage
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to create atmospheric perspective. Students will also learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, path, and major landscape elements.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Begin building up layers of paint with short, broken brushstrokes, focusing on capturing the light and shadow.

  4. step 04

    Mix greens and yellows to represent the foliage and fields, varying the hues and values to create depth.

  5. step 05

    Use cooler blues and purples in the distance to create atmospheric perspective.

  6. step 06

    Add details to the buildings, such as windows and rooflines, using small, precise brushstrokes.

  7. step 07

    Refine the path and foreground elements, adding texture and detail with dry brush techniques.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to the colors, values, and brushstrokes.

color palette

primary · yellow ochre · sap green · ultramarine blue · titanium white

secondary · burnt sienna · cadmium yellow · violet · raw umber

Mix greens by combining yellow ochre, sap green, and ultramarine blue. Create atmospheric perspective by adding white and blue to distant colors.

techniques

  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·dry brush texture
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not simplifying the scene.
  • →Failing to create a sense of depth and atmosphere.
  • →Getting the values wrong, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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