apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Freyung, Vienna
Freyung, Vienna by Johann Nepomuk Passini

plate no. 8529

Freyung, Vienna

Johann Nepomuk Passini, 1830

oilRomanticismcityscapecityscapebuildingsfiguresstreetarchitecturesky
some experience helpful

Recreating this painting will help students develop skills in linear perspective, architectural rendering, and creating atmospheric perspective with watercolor washes. It also provides practice in figure drawing and composition within a complex urban scene.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings, ensuring accurate proportions.

  2. step 02

    Establish the horizon line and vanishing points to guide the perspective of the buildings and street.

  3. step 03

    Apply a light wash of blue for the sky, allowing it to fade towards the horizon.

  4. step 04

    Begin painting the buildings with diluted washes of grey, brown, and red, layering colors to create depth.

  5. step 05

    Add details to the buildings, such as windows, doors, and architectural features, using fine lines and darker tones.

  6. step 06

    Paint the figures in the foreground with small brushstrokes, using a limited palette of colors.

  7. step 07

    Add shadows to the buildings and figures to create a sense of depth and dimension.

  8. step 08

    Refine the details and add any final touches to complete the painting.

color palette

primary · Prussian Blue · Burnt Sienna · Payne's Gray

secondary · Yellow Ochre · Raw Umber · Cadmium Red Light

Mix Payne's Gray with small amounts of Burnt Sienna to create various shades of grey for the buildings. Dilute Prussian Blue significantly for the sky wash. Use Yellow Ochre and Raw Umber for the street tones.

techniques

  • ·Linear perspective
  • ·Watercolor washes
  • ·Dry brushing
  • ·Layering
  • ·Figure drawing

common pitfalls

  • →Incorrect perspective can ruin the entire composition.
  • →Overworking the details can make the painting look stiff.
  • →Using too much water can cause the colors to bleed.
  • →Failing to establish a clear value structure can result in a flat painting.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper (140lb)
  • ·Watercolor paints
  • ·Round brushes (sizes 2, 6, 10)
  • ·Palette
  • ·Water container
  • ·Pencil (HB)
  • ·Eraser
  • ·Ruler

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Watercolor pencils

Use high-quality watercolor paper to prevent buckling and ensure even washes. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke