
plate no. 3119
Richard Parkes Bonington, 1824
Recreating this painting will help students develop skills in atmospheric perspective and loose watercolor washes. It also provides practice in suggesting detail rather than rendering it precisely.
technical profile
approach — 8 steps
Lightly sketch the main shapes: horizon line, boat outlines, and cloud formations.
Apply a light wash of diluted yellow ochre and raw sienna across the entire sky and water area.
While the first wash is still damp, add hints of blue and gray to the sky for clouds, blending edges softly.
Begin defining the boats with slightly darker washes of burnt umber and raw sienna, focusing on the hulls and masts.
Add reflections of the boats in the water using similar colors, pulling the brushstrokes downwards.
Use a fine brush to add details like rigging and figures, using a mix of burnt sienna and black.
Introduce small highlights with white or very pale yellow to suggest light on the sails and water.
Allow the painting to dry completely, then add any final touches or adjustments.
color palette
primary · yellow ochre · raw sienna · burnt umber
secondary · ultramarine blue · payne's gray · titanium white
Achieve the atmospheric haze by diluting colors significantly with water. Mix burnt umber and ultramarine for darker tones in the boats and reflections.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying levels of detail.
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