apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·French Fishing Boats in a Gale of Wind off Dover
French Fishing Boats in a Gale of Wind off Dover by George Philip Reinagle

plate no. 3725

French Fishing Boats in a Gale of Wind off Dover

George Philip Reinagle

oilRomanticismmarinaseaboatswavesskycliffsfigures
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering dynamic water, and capturing the effects of light and shadow in a maritime scene. Students will also learn to create a sense of depth and movement through brushwork and color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the placement of the cliffs, boats, and the large ship.

  2. step 02

    Establish the sky with broad washes of light blue and gray, blending the colors to create a sense of atmosphere.

  3. step 03

    Block in the cliffs using a range of warm and cool grays, paying attention to the light and shadow patterns.

  4. step 04

    Begin to define the water with horizontal strokes, varying the color and value to create the illusion of waves.

  5. step 05

    Add the boats, starting with the larger shapes and gradually adding details such as the figures and rigging.

  6. step 06

    Introduce highlights on the waves and boats to create a sense of movement and drama.

  7. step 07

    Refine the details of the cliffs, boats, and sky, paying attention to the atmospheric perspective.

  8. step 08

    Add final touches, such as the birds and the foam on the waves.

color palette

primary · ultramarine blue · titanium white · raw umber · yellow ochre

secondary · burnt sienna · payne's gray · cadmium red light

Achieve the atmospheric grays by mixing white with small amounts of blue, umber, and sienna. Create the wave colors by mixing blues and greens with white and touches of yellow ochre.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Making the waves too uniform and static.
  • →Using colors that are too saturated and bright.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, titanium white, raw umber, yellow ochre, burnt sienna, payne's gray, cadmium red light)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke