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home·artworks·Frederick Marryat
Frederick Marryat by John Simpson

plate no. 1862

Frederick Marryat

John Simpson, 1826

oilRomanticismportraitportraitfiguremanclothinghistoricalformal
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes and soft blending.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main light and shadow areas on the face and clothing with thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of color, focusing on the subtle transitions between light and shadow.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the clothing, such as the collar, tie, and buttons.

  6. step 06

    Work on the background, creating a soft, atmospheric effect.

  7. step 07

    Adjust the overall values and colors to create a harmonious composition.

  8. step 08

    Add final highlights and details to bring the portrait to life.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red light

secondary · raw sienna · yellow ochre · ultramarine blue

Mix skin tones by blending white, red, yellow ochre, and a touch of burnt umber. Use ivory black and burnt umber for dark clothing and background, adding small amounts of blue for depth.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value changes that create form and depth.
  • →Creating harsh lines or edges that detract from the overall softness of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany panel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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