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home·artworks·Frederick John Robinson, 1st Earl of Ripon
Frederick John Robinson, 1st Earl of Ripon by Thomas Lawrence

plate no. 2951

Frederick John Robinson, 1st Earl of Ripon

Thomas Lawrence, 1823

oilRomanticismportraitportraitfiguremanclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric textures and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general tones of the figure.

  3. step 03

    Begin refining the facial features, paying close attention to the light and shadow on the face.

  4. step 04

    Develop the details of the clothing, including the collar and coat, focusing on the folds and textures.

  5. step 05

    Mix and apply the skin tones, layering colors to create depth and realism.

  6. step 06

    Refine the hair, using short brushstrokes to create texture and volume.

  7. step 07

    Add subtle highlights and shadows to enhance the form and create a sense of depth.

  8. step 08

    Make final adjustments to the overall composition and details.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · yellow ochre

Skin tones are achieved by mixing white, sienna, umber, and a touch of crimson. The coat is primarily umber with subtle variations created by adding sienna and white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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oil painting for beginners →how to learn by studying the masters →
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