
plate no. 8240
Mary Cassatt, 1908
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing soft, diffused light using impressionistic brushstrokes. It also provides practice in depicting fabric textures and folds.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, hat, and background.
Establish the main color blocks for the skin, dress, hat, and background.
Begin layering in the mid-tones and shadows, focusing on the planes of the face.
Add highlights to the face, hat, and dress, paying attention to the direction of light.
Refine the details of the hair, facial features, and the lace on the hat.
Develop the background with loose brushstrokes, suggesting depth and atmosphere.
Adjust the overall color harmony and value relationships.
Add final details and highlights to complete the painting.
color palette
primary · titanium white · ultramarine blue · yellow ochre · burnt umber
secondary · cadmium yellow · alizarin crimson · viridian green
Mix skin tones using white, yellow ochre, burnt umber, and a touch of alizarin crimson. Achieve the blue of the dress by mixing ultramarine blue with white and a touch of yellow ochre for a softer tone.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.
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