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home·artworks·Francoise Wearing a Big White Hat
Francoise Wearing a Big White Hat by Mary Cassatt

plate no. 8240

Francoise Wearing a Big White Hat

Mary Cassatt, 1908

oil, canvasImpressionismportraitportraitfiguregirlhatdressindoor
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing soft, diffused light using impressionistic brushstrokes. It also provides practice in depicting fabric textures and folds.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Establish the main color blocks for the skin, dress, hat, and background.

  3. step 03

    Begin layering in the mid-tones and shadows, focusing on the planes of the face.

  4. step 04

    Add highlights to the face, hat, and dress, paying attention to the direction of light.

  5. step 05

    Refine the details of the hair, facial features, and the lace on the hat.

  6. step 06

    Develop the background with loose brushstrokes, suggesting depth and atmosphere.

  7. step 07

    Adjust the overall color harmony and value relationships.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · viridian green

Mix skin tones using white, yellow ochre, burnt umber, and a touch of alizarin crimson. Achieve the blue of the dress by mixing ultramarine blue with white and a touch of yellow ochre for a softer tone.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·soft blending
  • ·color layering

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Incorrectly capturing the proportions of the face.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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