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home·artworks·Francisco De Goya Y Lucientes, after Vicente López Portaña
Francisco De Goya Y Lucientes, after Vicente López Portaña by Rosario Weiss Zorrilla

plate no. 8187

Francisco De Goya Y Lucientes, after Vicente López Portaña

Rosario Weiss Zorrilla

oilRomanticismportraitportraitfiguremanclothingpalettebrush
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also offers practice in depicting fabric and creating depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with a thin wash of dark color, leaving the figure as a lighter area.

  3. step 03

    Block in the main areas of color for the skin, clothing, and palette, focusing on the overall values.

  4. step 04

    Begin to refine the facial features, paying close attention to the highlights and shadows that define the form.

  5. step 05

    Develop the details of the clothing, including the folds and wrinkles in the fabric.

  6. step 06

    Add the details of the palette and brushes, paying attention to the colors and textures.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · cadmium yellow · cadmium red · ultramarine blue

Achieve skin tones by mixing white, raw umber, and small amounts of red and yellow. Darken colors with ivory black and lighten with white. Use ultramarine blue to cool down shadows.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or bright.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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