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home·artworks·Francesco Ravai, Known as 'Baiocco'
Francesco Ravai, Known as 'Baiocco' by David Allan

plate no. 4014

Francesco Ravai, Known as 'Baiocco'

David Allan, 1777

oilRomanticismgenre paintingfiguresinteriorcandleclothingportraitbroom
some experience helpful

Recreating this painting will help students develop skills in rendering figures with realistic proportions and capturing the subtle variations in light and shadow within an interior scene. It also provides practice in creating a sense of depth and atmosphere through color and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Refine the shapes and details of the figures, paying attention to the folds and drapery of the clothing.

  4. step 04

    Develop the background, creating a sense of depth and atmosphere.

  5. step 05

    Add highlights and shadows to create form and dimension.

  6. step 06

    Pay close attention to the lighting, especially the glow of the candle.

  7. step 07

    Refine the details and textures, such as the broom and the clothing.

  8. step 08

    Add final touches and adjustments to unify the painting.

color palette

primary · burnt umber · raw sienna · titanium white · red ochre

secondary · Prussian blue · yellow ochre · ivory black

Achieve the warm, muted tones by mixing burnt umber, raw sienna, and white. Use small amounts of blue and black to create shadows and cool tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·underpainting

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate rendering of the lighting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·red ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned ground to create a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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