apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Frances Cleveland
Frances Cleveland by Anders Zorn

plate no. 5485

Frances Cleveland

Anders Zorn

oilArt Nouveau (Modern)portraitportraitfiguredresschairwomanfabric
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how light interacts with fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the background with thin washes of color, focusing on the light and shadow.

  3. step 03

    Block in the main areas of the dress with light, warm tones.

  4. step 04

    Begin to refine the face, paying attention to the subtle shifts in color and value.

  5. step 05

    Develop the form of the arms and hands, using a limited palette.

  6. step 06

    Add details to the dress, capturing the folds and textures.

  7. step 07

    Refine the background and adjust the overall composition.

  8. step 08

    Add final highlights and shadows to complete the painting.

color palette

primary · titanium white · yellow ochre · raw umber · ivory black

secondary · cadmium red light · ultramarine blue · burnt sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and burnt sienna to create subtle grays for shadows.

techniques

  • ·portraiture
  • ·alla prima
  • ·scumbling
  • ·blending
  • ·limited palette

common pitfalls

  • →Overworking the face and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle shifts in color and value in the dress.
  • →Ignoring the importance of the background in creating depth and atmosphere.
  • →Getting proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·soft cloth

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois