
plate no. 9814
Jacopo Pontormo, 1525
Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and drapery folds. It also provides practice in creating a sense of depth and form through subtle value changes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and drapery on a circular canvas.
Establish the dark background using a dark brown or black.
Block in the main areas of the skin with a mid-tone base color.
Begin layering lighter and darker tones to define the form of the face, body, and hands.
Add details to the beard, paying attention to the individual strands and curls.
Paint the drapery, focusing on the highlights and shadows to create a sense of volume.
Refine the edges and details, ensuring smooth transitions between tones.
Add final highlights and shadows to enhance the overall realism.
color palette
primary · raw umber · titanium white · yellow ochre · burnt sienna
secondary · ivory black · cadmium red light
Achieve skin tones by mixing white, yellow ochre, and a touch of burnt sienna or cadmium red light. Use raw umber and ivory black for shadows and darker areas.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a smooth canvas for easier blending. Consider using a medium to slow drying time for easier blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Apollo and the Muses (Parnassus)
Lavinia Fontana

Portrait Of Don Rodrigo Vasquez
El Greco

Madonna Bolognini
Correggio

The Unhappy Lot of the Rich
Maerten van Heemskerck

Head of a Woman
Orazio Gentileschi

The Deposition
Giorgio Vasari

Portrait of a Man Holding a Letter
Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana
Bartolomeo Passerotti