apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Fountain of Hannibal in Rocca di Papa near Rome
Fountain of Hannibal in Rocca di Papa near Rome by Lev Lagorio

plate no. 3264

Fountain of Hannibal in Rocca di Papa near Rome

Lev Lagorio, 1857

oilRomanticismlandscapelandscapemountainstreesfigureswaterarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering realistic textures of rocks, foliage, and water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, trees, and water features.

  2. step 02

    Establish the sky with a light blue wash, blending towards the horizon.

  3. step 03

    Block in the main shapes of the mountains and hills with varying shades of green and brown.

  4. step 04

    Add the darker values in the foreground rocks and trees to create depth.

  5. step 05

    Begin layering details in the foliage, using a variety of greens and yellows.

  6. step 06

    Paint the water features, paying attention to reflections and highlights.

  7. step 07

    Add the figures and architectural elements, keeping them small and in proportion to the landscape.

  8. step 08

    Refine the details and adjust the values to create a sense of atmosphere.

color palette

primary · cerulean blue · sap green · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix greens by combining blues and yellows, and create earth tones by mixing browns with blues and yellows. Use white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·blending
  • ·color mixing

common pitfalls

  • →Overworking the details in the background, which can flatten the image.
  • →Using too much pure color without mixing, which can make the painting look unnatural.
  • →Neglecting the importance of value contrast, which can make the painting look flat.
  • →Failing to establish a clear focal point, which can confuse the viewer.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke