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home·artworks·Forest Wilderness
Forest Wilderness by J. E. H. MacDonald

plate no. 9792

Forest Wilderness

J. E. H. MacDonald, 1921

oilArt Nouveau (Modern)landscapemountainstreesforestlandscapeautumnhills
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using short, repetitive brushstrokes to suggest texture. It also provides practice in simplifying complex natural forms into more abstract shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains and foreground.

  2. step 02

    Block in the sky with a thin wash of yellow ochre.

  3. step 03

    Establish the darkest values in the shadows of the mountains and trees using a mix of burnt umber and ultramarine blue.

  4. step 04

    Begin layering in the greens and browns of the distant mountains, using short, broken brushstrokes.

  5. step 05

    Work on the middle ground, adding more detail to the trees and foliage with reds, oranges, and yellows.

  6. step 06

    Define the foreground with thicker paint and more pronounced brushstrokes, focusing on the texture of the ground.

  7. step 07

    Add highlights to the trees and foliage to create a sense of depth and dimension.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive composition.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · cadmium red

secondary · sap green · titanium white · cadmium yellow

Mix greens by combining ultramarine blue and cadmium yellow. Achieve earth tones by mixing burnt umber with yellow ochre and small amounts of red or blue. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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