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home·artworks·Forest Scene
Forest Scene by Thomas Moran

plate no. 2008

Forest Scene

Thomas Moran, 1870

oilRomanticismlandscapeforesttreesfoliagelightwaterbirds
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and capturing the effect of light filtering through foliage. It also provides practice in rendering realistic textures of trees and undergrowth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color for the sky, trees, and ground.

  3. step 03

    Begin layering colors to create depth and dimension in the foliage, using lighter values for areas that are closer and darker values for areas that are further away.

  4. step 04

    Add details to the trees, such as branches, leaves, and bark, using a variety of brushstrokes to create texture.

  5. step 05

    Paint the water, paying attention to the reflections of the trees and sky.

  6. step 06

    Add highlights and shadows to create a sense of light and shadow throughout the painting.

  7. step 07

    Refine the details and add any final touches, such as small plants or flowers.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · sap green · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · ultramarine blue · raw sienna

Achieve the various shades of green by mixing sap green with yellow ochre and titanium white. Use burnt umber and raw sienna to create the browns and earth tones for the trees and ground. Add small amounts of ultramarine blue to darken the greens and browns.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Using too much paint and creating a muddy effect.
  • →Not paying attention to the values and creating a flat, uninteresting painting.
  • →Ignoring the atmospheric perspective and failing to create a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·linseed oil

optional

  • ·turpentine
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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