
plate no. 2008
Thomas Moran, 1870
Recreating this painting will help students develop skills in layering colors to create depth and capturing the effect of light filtering through foliage. It also provides practice in rendering realistic textures of trees and undergrowth.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the trees and the horizon line.
Establish the overall color scheme by blocking in large areas of color for the sky, trees, and ground.
Begin layering colors to create depth and dimension in the foliage, using lighter values for areas that are closer and darker values for areas that are further away.
Add details to the trees, such as branches, leaves, and bark, using a variety of brushstrokes to create texture.
Paint the water, paying attention to the reflections of the trees and sky.
Add highlights and shadows to create a sense of light and shadow throughout the painting.
Refine the details and add any final touches, such as small plants or flowers.
Varnish the painting to protect it and enhance the colors.
color palette
primary · sap green · yellow ochre · burnt umber · titanium white
secondary · cadmium yellow · ultramarine blue · raw sienna
Achieve the various shades of green by mixing sap green with yellow ochre and titanium white. Use burnt umber and raw sienna to create the browns and earth tones for the trees and ground. Add small amounts of ultramarine blue to darken the greens and browns.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.
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