
plate no. 1195
Edward R. Taylor, 1887
Recreating this painting will help students develop skills in creating atmospheric perspective and rendering realistic textures of foliage and brickwork. It also provides practice in depicting figures within a landscape setting.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the bridge, figure, and main architectural elements.
Establish the overall value structure with a thin wash of burnt umber or raw sienna.
Block in the main color masses for the trees, foliage, and brickwork, paying attention to the subtle color variations.
Begin refining the details of the bridge and architectural elements, adding highlights and shadows to create depth.
Paint the figure, focusing on capturing the form and drapery of the dress.
Add details to the foliage, using broken brushstrokes to create texture and visual interest.
Paint the water, suggesting movement and reflections with subtle color variations.
Refine the overall painting, adjusting values and colors as needed to create a cohesive and atmospheric effect.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · sap green · yellow ochre · alizarin crimson
Achieve the muted greens by mixing sap green with burnt umber and yellow ochre. Create the brick tones by mixing burnt umber with alizarin crimson and a touch of yellow ochre. Use titanium white to lighten values and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the painting process.
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