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home·artworks·Flowers of the Levant
Flowers of the Levant by Herbert Gustave Schmalz (Herbert Carmichael)

plate no. 8550

Flowers of the Levant

Herbert Gustave Schmalz (Herbert Carmichael)

oilRomanticismportraitfigureportraitflowersvasedressinterior
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing detailed rendering of fabrics and textures.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure, vase, and background elements, paying attention to proportions.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color, focusing on light and shadow.

  3. step 03

    Block in the main colors of the background, figure's clothing, and vase, using broad strokes.

  4. step 04

    Develop the skin tones using layers of subtle color variations and soft blending techniques.

  5. step 05

    Add details to the clothing, including the intricate embroidery and fabric folds.

  6. step 06

    Render the flowers in the vase, focusing on their shapes, colors, and textures.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory · gold ochre · purple · burnt umber

secondary · raw sienna · ultramarine blue · alizarin crimson

Achieve the skin tones by mixing ivory, alizarin crimson, and a touch of yellow ochre. Create the gold tones by layering yellow ochre, burnt umber, and a touch of raw sienna.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering fabric
  • ·color mixing

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to accurately capture the proportions of the figure.
  • →Neglecting the subtle color variations in the clothing and background.
  • →Getting lost in the details before establishing the overall value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A variety of brush sizes will be helpful for rendering both broad areas and fine details.

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oil painting for beginners →how to learn by studying the masters →
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