apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Flowers for Jennifer
Flowers for Jennifer by Robert Brackman

plate no. 1027

Flowers for Jennifer

Robert Brackman

oilImpressionismportraitportraitfigureflowersstill lifeindoor sceneclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing the texture of fabric and flowers. It also provides practice in creating a sense of depth through layering and subtle value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, flowers, and background.

  2. step 02

    Establish the main light source and block in the large areas of color.

  3. step 03

    Begin layering skin tones, paying attention to the subtle shifts in value and hue.

  4. step 04

    Develop the details of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Paint the flowers, capturing their individual shapes and colors.

  6. step 06

    Add details to the clothing and background, creating depth and texture.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · titanium white · ultramarine blue · cadmium red light · yellow ochre

secondary · burnt umber · alizarin crimson · cadmium yellow medium · viridian

Skin tones are achieved by mixing white, yellow ochre, cadmium red, and a touch of blue or umber. The blue shirt is a mix of ultramarine blue and white, with subtle variations created by adding small amounts of red or yellow. Flower colors are created by mixing the primary colors with white and each other.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·blending
  • ·impasto

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring subtle value changes in skin tones.
  • →Failing to capture the correct proportions of the figure.
  • →Overworking details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann