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home·artworks·Flowering apple tree
Flowering apple tree by Ivan Grohar

plate no. 1602

Flowering apple tree

Ivan Grohar, 1907

oilImpressionismlandscapetreeslandscapechurchbuildingskyfoliage
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and layering to create depth and texture. It also provides practice in simplifying complex forms into abstract shapes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the church, building, and tree trunk using light pencil lines.

  2. step 02

    Establish the overall color scheme by applying a thin wash of diluted paint to the entire canvas.

  3. step 03

    Begin layering in the background elements like the sky and distant foliage using short, broken brushstrokes.

  4. step 04

    Focus on the middle ground, building up the texture of the flowering tree with dabs of color.

  5. step 05

    Add the darker values in the foreground, defining the shape of the tree trunk and the shadows in the grass.

  6. step 06

    Refine the details of the church and building, paying attention to the subtle color variations.

  7. step 07

    Add highlights to the foliage to create a sense of light and atmosphere.

  8. step 08

    Review the painting as a whole and make any necessary adjustments to the composition and color balance.

color palette

primary · yellow ochre · sap green · titanium white · ultramarine blue

secondary · burnt umber · cadmium yellow · violet

Mix greens by combining yellow ochre, sap green, and ultramarine blue. Create subtle variations by adding small amounts of white or violet. Use burnt umber and violet to create the darker tones of the tree trunk and buildings.

techniques

  • ·broken color
  • ·impasto
  • ·layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Focusing too much on detail too early in the process.
  • →Failing to create enough contrast between light and shadow.
  • →Applying paint too thickly, obscuring the underlying layers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the broken color effect. Consider using a fast-drying medium to speed up the drying time between layers.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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