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home·artworks·Florence. The Palazzo Del Bargello
Florence. The Palazzo Del Bargello by Gustav Bauernfeind

plate no. 3193

Florence. The Palazzo Del Bargello

Gustav Bauernfeind, 1887

oilRomanticismcityscapearchitecturebuildingcourtyardstairsfigurescityscape
some experience helpful

Recreating this painting will help students develop skills in perspective drawing and rendering intricate architectural details with a limited palette. It also provides practice in creating depth and atmosphere through careful value control.

technical profile

palette complexity
2
brushwork visibility
1
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic perspective and composition, focusing on the major architectural elements.

  2. step 02

    Block in the darkest areas of the painting, paying attention to the shadows created by the arches and stairs.

  3. step 03

    Gradually build up the mid-tones, using subtle variations to suggest the texture of the stone and brick.

  4. step 04

    Add the details of the architectural ornamentation, such as the carvings and moldings.

  5. step 05

    Introduce the figures, paying attention to their placement and scale within the scene.

  6. step 06

    Refine the highlights to create a sense of light and atmosphere.

  7. step 07

    Add final details to the architectural elements and figures.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre

Use raw umber and ivory black to create a range of grays. Add small amounts of yellow ochre to warm up the grays in the sunlit areas.

techniques

  • ·linear perspective
  • ·value studies
  • ·hatching
  • ·scumbling

common pitfalls

  • →Getting the perspective wrong, which will throw off the entire composition.
  • →Overworking the details, which can make the painting look cluttered and busy.
  • →Failing to create enough contrast, which will make the painting look flat and lifeless.
  • →Ignoring the subtle variations in tone, which will make the painting look monotonous.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#4 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas to facilitate the rendering of fine details.

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related guides

oil painting for beginners →how to learn by studying the masters →
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