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home·artworks·Flirtation
Flirtation by Paul-Albert Besnard

plate no. 0215

Flirtation

Paul-Albert Besnard, 1886

etchingImpressionismgenre paintingfiguresinteriorwindowskychairdress
experienced study

Recreating this etching will help students understand how to use line weight and density to create form and value. It also provides practice in simplifying complex scenes into essential lines and shapes.

technical profile

palette complexity
2
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of the figures and the window.

  2. step 02

    Establish the darkest areas of the painting, such as the man's figure and the shadows in the room, using dense hatching.

  3. step 03

    Gradually build up the mid-tones by adding layers of hatching, varying the spacing and direction of the lines.

  4. step 04

    Use lighter, more delicate lines to define the highlights on the woman's dress and face.

  5. step 05

    Pay attention to the direction of the lines to convey the form and texture of the objects.

  6. step 06

    Create the background outside the window with very light lines, suggesting the sky and distant landscape.

  7. step 07

    Add details to the chair and other elements, using short, precise lines.

  8. step 08

    Refine the overall composition, adjusting the values and adding any final details.

color palette

primary · sepia · ivory black

secondary · raw umber · titanium white

Vary the tone by diluting the sepia with water or mixing with small amounts of white for highlights and umber for shadows.

techniques

  • ·hatching
  • ·cross-hatching
  • ·line weight variation
  • ·dry brush
  • ·scumbling

common pitfalls

  • →Overworking the lines, resulting in a muddy or unclear image.
  • →Failing to vary the line weight, leading to a flat and lifeless composition.
  • →Ignoring the direction of the lines, which can affect the form and texture of the objects.
  • →Not establishing a clear value range, resulting in a lack of contrast and depth.

materials

surface · etching paper or heavy drawing paper

required

  • ·etching needle or fine-tipped pen
  • ·etching ink (sepia or black)
  • ·etching paper or heavy drawing paper
  • ·etching press or smooth rolling pin
  • ·tarlatan cloth
  • ·newsprint
  • ·palette knife
  • ·gloves

optional

  • ·magnifying glass
  • ·drypoint needle
  • ·scraper

Experiment with different types of paper and ink to achieve varying effects. Consider using a soft ground technique for added texture.

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color theory for painters →how to learn by studying the masters →
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