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home·artworks·Flatford Mill from a Lock on the Stour
Flatford Mill from a Lock on the Stour by John Constable

plate no. 9682

Flatford Mill from a Lock on the Stour

John Constable, 1811

oil, canvasRomanticismlandscaperivertreesbuildingcloudslandscapefigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle nuances of light and shadow in a landscape. It also provides practice in rendering textures of foliage and brick.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mill, river, and trees.

  2. step 02

    Establish the sky with broad strokes, blending blues, whites, and grays to create cloud formations.

  3. step 03

    Block in the main areas of color for the trees, river, and building, using thin washes.

  4. step 04

    Develop the details of the mill, adding shadows and highlights to define its form.

  5. step 05

    Refine the foliage of the trees, using a variety of greens and browns to create depth and texture.

  6. step 06

    Paint the reflections in the river, mirroring the colors and shapes of the surrounding landscape.

  7. step 07

    Add details to the foreground, including the path, vegetation, and figures.

  8. step 08

    Glaze and adjust values to unify the painting and enhance the atmospheric perspective.

color palette

primary · ultramarine blue · raw umber · titanium white · burnt sienna

secondary · yellow ochre · sap green · cadmium red

Mix greens by combining blue and yellow ochre, and adjust the value with white or raw umber. Achieve the warm tones of the mill by blending burnt sienna, cadmium red, and yellow ochre.

techniques

  • ·scumbling
  • ·glazing
  • ·wet-on-wet blending
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the foreground, which can flatten the perspective.
  • →Using too much pure color without considering the effects of light and atmosphere.
  • →Failing to create a sense of depth in the landscape.
  • →Neglecting the importance of value contrast in defining forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use a medium-tooth canvas to allow for texture. Consider using a toned ground to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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