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home·artworks·Flatford Mill
Flatford Mill by John Constable

plate no. 1041

Flatford Mill

John Constable, 1817

oil, canvasRomanticismlandscapelandscapetreeswatercloudshorsefigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage using layering and scumbling techniques. It also provides practice in capturing the subtle reflections in water and depicting figures within a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, major trees, and the canal.

  2. step 02

    Establish the sky with broad strokes, blending blues, whites, and grays to create cloud formations.

  3. step 03

    Block in the large shapes of the trees and foliage using a mix of greens, browns, and yellows.

  4. step 04

    Define the water with horizontal strokes, capturing the reflections of the sky and surrounding landscape.

  5. step 05

    Add details to the trees, using smaller brushes to create texture and variation in the leaves.

  6. step 06

    Paint the figures and horse, paying attention to their proportions and placement within the scene.

  7. step 07

    Refine the details in the foreground, such as the path, fence, and vegetation.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Achieve the sky colors by mixing ultramarine blue and white, adding a touch of yellow ochre for warmth. Create various greens by mixing yellow ochre, ultramarine blue, and white. Use burnt umber and white for earth tones.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·layering
  • ·wet-on-wet blending
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using too much pure color without mixing.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a toned canvas to establish a base color.

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