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home·artworks·Flagellation of Christ
Flagellation of Christ by Il Sodoma

plate no. 1589

Flagellation of Christ

Il Sodoma, 1510

oilHigh Renaissancereligious paintingfiguresarchitectureskycolumnsreligious scenelandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomical accuracy, and creating depth through atmospheric perspective. It also provides practice in rendering drapery and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and forms with thin washes of color, focusing on overall values.

  3. step 03

    Develop the figures, paying close attention to anatomical proportions and musculature.

  4. step 04

    Add details to the architectural elements, such as columns and steps.

  5. step 05

    Build up layers of color to create depth and dimension in the figures and background.

  6. step 06

    Refine the details of the faces and drapery, using subtle highlights and shadows.

  7. step 07

    Add the sky and background elements, creating atmospheric perspective by using lighter and cooler colors in the distance.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · ochre · raw umber · burnt sienna · titanium white

secondary · red · green · blue · black

Mix skin tones by blending ochre, raw umber, burnt sienna, and titanium white. Use glazes of red and green to create variations in the drapery. Achieve atmospheric perspective by mixing blue with white and thinning the paint.

techniques

  • ·figure drawing
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Incorrect anatomical proportions
  • →Overly saturated colors
  • →Lack of depth and dimension
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (ochre, raw umber, burnt sienna, titanium white, red, green, blue, black)
  • ·Palette
  • ·Assorted brushes (small round, medium flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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