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home·artworks·Fishing Near The Fjord By Moonlight
Fishing Near The Fjord By Moonlight by Marcus Larson

plate no. 4427

Fishing Near The Fjord By Moonlight

Marcus Larson, 1862

oilRomanticismlandscapemountainswaterboatscloudsbuildingsmoonlight
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for subtle gradations, and rendering reflections in water. It also provides practice in depicting light and shadow to create a dramatic mood.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, water, and boats.

  2. step 02

    Establish the dark areas of the sky and mountains with a thin wash of dark brown and blue.

  3. step 03

    Block in the general shapes of the clouds, leaving areas for the moonlight to shine through.

  4. step 04

    Begin layering in the colors of the mountains, using warmer tones in the areas illuminated by the moon.

  5. step 05

    Paint the water, reflecting the colors of the sky and mountains, and add the reflections of the buildings and boats.

  6. step 06

    Add details to the boats and figures, paying attention to their shapes and proportions.

  7. step 07

    Refine the highlights and shadows throughout the painting to create depth and dimension.

  8. step 08

    Add final details such as the waterfall and the subtle textures of the rocks and clouds.

color palette

primary · burnt umber · ultramarine blue · titanium white · cadmium yellow

secondary · alizarin crimson · yellow ochre

Mix burnt umber and ultramarine blue for the dark areas. Use white and yellow to create the moonlight and highlights. Mix crimson and yellow to create the warm tones in the mountains.

techniques

  • ·glazing
  • ·scumbling
  • ·wet-on-wet blending
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of depth and atmosphere.
  • →Using colors that are too saturated or unrealistic.
  • →Not paying enough attention to the reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·cadmium yellow oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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